HearNow
The New Silence
A Poem for the Climate
This year is the 50th Earth Day, April 22nd. In commemoration of this event the HEAR Now Audio Fiction Festival presents an original poem for the climate. The New Silence is written and directed by Brian Price, of the Great Northern Audio Theatre. It features the voice talents of Dion Graham and Jane Oppenheimer, and an original musical score by Jason Kao Hwang. It was performed live at the 2019 HEAR Now Festival in Kansas City. The program includes the poem followed by commentary by the author and the performers.
It’s first broadcast is on Sound Affects: A Radio Playground, on KFAI Community Radio in Minneapolis, MN, Sunday, April 19, at 9:30 PM. (9:30 PM Sundays at KFAI.org.) The shows archives are kept for two weeks after the broadcast. It’s a meditation we hope you will enjoy.
Also on the Sound Affects program you can hear a related song, Greta, Put Your Boots On, with lyrics by Brian Price, music and performance by Mike Wheaton. (Available on YouTube) And there are three other short works by Brian, all with some connection to climate change – or perhaps a bit of culture change.
Wireless Theatre makes it all free
The UK-based Wireless Theatre Company has just changed their download model, and made everything available for FREE. I encourage you to try them out. Their production values are superior, with great acting, music and sound. They’re nice people, too. Some of them came in to town a few years ago when they won an Ogle Award for part of their Springheel’d Jack series. Short pieces long series, comedy and suspense – everything you want for good listening.
The Old Cart Wrangler's Saga
Jun/02/18 13:00 Filed in: Great Northern productions | HearNow
World Premiere Performance by David Ossman
June 6 in Kansas City, MO
HEAR Now Festival Presents
The 22nd Annual Mark Time Awards
June 7th, in Kansas City, MO, the HEAR Now Festival will host the presentation of the Mark Time Awards for 2018. The ceremony will include a performance of Great Northern Audio Theatre’s Dialogue with Martian Trombone, starring David Ossman and Philip Proctor, of the famed Firesign Theatre.
The Mark Time Awards are well known in the field of contemporary Audio Theater for their recognition of the science fiction, fantasy and horror genres. In cooperation with the HEAR Now Festival of Audio Fiction they have expanded to include detective stories, and this year added a comedy category. They are named after the Mark Time character created by the American comedy troupe, the Firesign Theatre, and have been actively supporting audio drama since 1997. Mark Time Awards are given internationally, and have been won by producers from Ireland, Canada, South Africa, New Zealand, Belgium and all across the United States.
The HEAR Now Festival will run June 7-10, 2018 in Kansas City, and includes many other performances and workshops in the fields of audio storytelling, audiobooks, podcasting, childrens literature, and a celebration of Mark Twain. You can hear more from the Firesign Theatre, too.
HEARNow Festival Report
Jun/29/17 13:49 Filed in: Great Northern productions | HearNow
HEARNow Festival was a Good Time
Brian Price and Jerry Stearns had a good time at the 2017 HEARNow Festival of Audio Fiction in Kansas City, MO. I thought I’d tell you a bit about what we did, and hope it inspires you to attend sometime. Remember, this is only some of the events that we were connected with; there was a LOT more going on than this. You can check their online schedule to see more.
First of all, this was my first chance to actually see the Audie Award we won for Best Audio Drama from the Audio Publishers’ Association, for In The Embers. Brian says the New York TSA took him out of line at the airport because of this oddly shaped and unscanable item in his pack. They opened it up, said “Congratulations”, and sent him on his way.
Thursday
In the evening we did a Best of Audio Fiction presentation, joined by Robin Miles, about our award-winning piece, In The Embers. We got to talk about how it came to be, and about some of the technology that enabled us to put it all together even though few of us live in the same section of the country. We shared the hour with Russell McGee, who is a sound designer for Big Finish’s Dr. Who audio series. He came with a computer presentation, way better prepared than we were. We were able to spend some time with Russell and his wife during the Festival, too.
Friday
Brian went to help out with the Workshop 101 team, teaching about the writing and production of audio theater. Follow the link to hear some of the short works that they completed during the Festival.
Jerry attended a playback session at a local theater - where it is great to be able to hear productions on a BIG excellent sound system and in a room designed for listening. I chose to attend a session presented by two other people who put audio theater actually on the radio. Hosting were Catherine Rinella of Midnight Audio Theater at WCBE in Columbus, Ohio, and Christy Duntan of KZMU community radio in Moab, Utah, who brought us Downtown Abbey. Both shows really fun to hear.
Next Brian and I both hosted a session in the theater called Simon Jones, A Retrospective. He is the original and genuine Arthur Dent of the Hitchhiker’s Guide to the Galaxy, accept no substitutes. Technical difficulties threatened to make it a difficult session, but Simon’s good humor made it into a hilarious hour of stories from his illustrious career on stage and in radio, TV, films, and audiobooks.
Friday evening we were able to slip away for dinner at Arthur Bryant’s barbecue restaurant with Simon Jones and his wife, Nancy, Russell McGee and his wife, Elizabeth, and Rich Fish, Tony Brewer and Butch D’Ambrosio.
Saturday
In the afternoon Brian and I were pleased to moderate a session for the Podcast Palooza presenters attending the Festival. This has been an important event for us because it gets all these producers from around the country in the same place to talk and listen to each other about what they are doing, and ways they might be able to do it better. It was well attended, and everybody had something to say, and an attentive audience.
Sunday
This morning is the closing brunch and awards event for the Festival. One of the things that happened here was the presentation of the annual Mark Time Awards. Organizers David Ossman and Judith Walcutt called in via Skype to announce the winners, who were chosen this year from Firesign Theatre’s biggest supporters over the years. Brian and I were asked to read the acceptance speeches from the winners, but Brian had a better idea, and we were able to get Simon Jones to read them – which was WAY better than having us do it. David commented that he’d like Simon to read all their credits in the future.
And the final Big Deal at this ceremony was the presentation of the Norman Corwin Award. Brian and I are greatly honored to have received this award, and especially in conjunction with the Corwin Legacy Award given to Stan Freberg, one of our heroes of audio comedy.
Thank you
We’d like to thank Sue Zizza for being a gracious host to the Festival and to us. Thanks also to David Shinn for technical wizardry at a variety of incompatible venues. And to the NATF committee who somehow thought we were deserving of an award for sticking with something we loved for many years, and having opinions about it.